If you enjoy bad but fun sword and sorcery B-films, then Cannon Films’ 1987 romp “Barbarians” is for you. In it, two twin barbarians (played by the Razzie-nominated David and Peter Paul) who have been manipulated to kill each other instead face off against the great Richard Lynch. This film, which is from the director of “Cannibal Holocaust,” features good production values and music by Pino Donaggio. More importantly, it appears to have inspired the “Golden Axe” video game series, with many scenes resembling the games and the twin brothers frequently wielding axes. The “Barbarian Brothers” can’t act but are really something,This movie can be found on a double bill DVD with Lee Majors and Cornel Wilde in “The Norseman.” Good times!
25 years after the epic but overly rigorous “Amused to Death,” Roger Waters, former head of Pink Floyd, gives us by far his best solo album, “Is this the Life We Really Want?” It takes the expected potshots at Trump and American politics, but it also rocks in a way that nothing Waters has done since “Pink Floyd The Wall” has approached. He also sings better on this album than on any previous solo effort. As a result, the album is less political than emotional.
Waters is not afraid to pay homage to past songs, with “Broken Bones” sounding like “Sheep” and “Smell the Roses” sounding like “Have a Cigar,” but the intensity with which he sings these songs and the force of his lyrics (as well as the melodious nature if the songs) makes this some of his best work. Based on this album, I would say his new “Us and Them” solo tour is a must-catch.
This album reminds us that an artist can make a political statement and still make a beautiful, heartfelt and rocking album. This album is a must-purchase for fans of Pink Floyd and rock music in general. Don’t miss it!
Looking for an edge-of-your-seat horror winner? Look elsewhere. However, if you’re looking for a little food for thought, then “It Comes at Night” is not a total failure. The film deals with an outbreak of a deadly virus, possibly smallpox. Nobody seems to really know what it is or how it spreads, but fear and mistrust runs rampant. The film deals with two families whose paths cross in a desolate, apocalyptic future.
There are some good things about this film. The actor playing the 17-year old son is real good. Also, the atmosphere and tension are palpable. The problem is that the film refuses to give the audience information that it needs. Without knowing if the characters’ fears are baseless or valid, it becomes impossible to know how to react to the characters’ decisions. Also, the film concludes with an irritating non-ending that, judging by a sudden change in aspect ratio, may be the young, sick protagonist’s dream.
While I would definitely hesitate to call this a bad horror film, it’s just not a very entertaining one. Also the star, the edgy Joel Edgerton, is wasted here in an unsympathetic role. This film could have really amounted to something. However, in its current form, it’s kind of a waste. Go see something else more uplifting, like almost any film ever made. By the way, the title is meaningless
OK, first thing out of the way: I liked “Prometheus.” It wasn’t scary enough, but it had great acting and asked interesting questions. Some of those questions get answered in “Alien: Covenant,” a sequel to “Prometheus” and a prequel to “Alien.” I think it’s best to see this new film knowing as little as possible, but I will tell you that Michael Fassbender is awesome playing two different androids, David and Walter. This new film has much more space action, quality kills, and real scares than any entry since the underrated “Alien 3.” It’s also a lot of fun. The music, cinematography, and special effects are spectacular. All of the acting is good. The movie makes you want to re-watch the old films. It’s a terrific date movie and a great entertainment. Can’t wait until the next one!
“Alien: Covenant” inspired me to re-watch the third and fourth “Alien” films. “Alien Resurrection,” the fourth one, did nothing for me but I really love “Alien 3.” As a stand-alone film, it is one of the most frightening and despairing films I have ever seen. The first film by the great director David Fincher (“Seven,” “Fight Club”), it finds Ripley (Sigourney Weaver) crashed into a prison planet, with her friends Newt and Hicks (from “Aliens”) dead. There was an egg on her ship, and now the Alien is haunting the prison planet. Can she stop the alien and save humanity? Is this the bleakest film ever made? I’d vote for the most underrated.
The script’s decision to make vile prisoners protagonists caused much audience derision, but it makes for a fascinating film. Also interesting is the film’s cinematography and production design, which create images that will singe their way into your brain. The music by Elliot Goldenthal is highly memorable and marked his big break as a composer of blockbusters. Finally, Groin Hall of Famer Charles Dance gives a great performance as Clemons, as does Charles S. Dutton as the most complex of the convicts. Whether you’re watching the Theatrical Cut or the extended, more coherent 2003 Assembly Cut, “Alien 3” is a powerful, ambitious film that is far better than it is given credit for. David Fincher, take another look at your film: it’s great! (He disowned it.) Much better than “Gone Girl”!
Picked up the Roger Corman double feature of “Deathsport” and “Battletruck” this week. “Deathsport” is a follow-up of sorts to “Death Race 2000” starring David Carradine, Claudia Jennings, and Richard Lynch. It’s about a deadly futuristic sport involving flaming motorcycles, lasers, and much mayhem. The film doesn’t make a lot of sense, but it’s a lot of fun and is from the director of “Rock and Roll High School” and “Caddyshack 2.” The director contributes an hilarious audio commentary.
“Battletruck,” also known as “Warlords of the 21st Century,” is a “Mad Max” type film starring Michael Beck from “The Warriors” about a lawless, oil-deprived future in which the Battletruck, possibly the coolest vehicle I’ve ever seen, reigns supreme. This flick has very little plot but is very well made from a director who went on to make “Black Moon Rising” with Tommy Lee Jones, which is also about a vehicle.
There’s not too much to say about these two films except that they’re good B-pictures. Claudia Jennings gets naked in “Deathsport” and David Carradine kicks ass. Richard Lynch is always the best villain, I want to own the “Battletruck,” and live in New Zealand, where that film was shot. This two-pack is available on DVD for around $10 and is a good deal.
Are you a fan of “Stranger Things” and “Jumanji”? Have you always wondered if there is more to board games than meet the eye? Welcome to “Beyond the Gates,” an entertaining and sometimes frightening low budget horror film that won the Audience Award at the 2016 Los Angeles film festival.
This film concerns 2 adult brothers whose father disappeared a decade ago who discover a strange board game he was playing before he died. Titled “Beyond the Gates,” of course, the game is an elaborate, mysterious concoction that threatens your mind, body, and soul and takes you to another dimension. In order to survive, you must listen to the game master (played on videotape by Barbara Crampton from “Re-Animator”) and win the game. The two brothers (who are hoping to save their dad from the other dimension( and their friends are affected by the game, and there will be much confusion and weirdness, a body count, blood and gore, and an ending that may not be what the viewer will expect.
I thought this movie was excellent, primarily because of its great premise and unpredictability. The actors are fine and the special effects are good. It’ll make you think twice about playing a board game! It is currently streaming on Netflix and is available on Blu-ray and DVD.
If you’re disheartened by the overly commercial movies being put out by Hollywood and you like horror, I’ve got a movie for you. “The Autopsy of Jane Doe,” starring Emile Hirsch and Brian (Hannibal Lector in “Manhunter”) Cox, is a small-scale but very frightening experience. It is about a farther (Cox) and son (Hirsch) who work at a mortuary, and their new patron, “Jane Doe,” has died a very unusual death, and they can’t figure out what killed her. Is she even dead
This film has two things going for it: great acting and an incredible sense of mystery, atmosphere, and dread. Brian Cox delivers his best performance in years as the father, a decent man with dark secrets. The director, who made “Trollhunter,” has a field day with the possibly haunted mortuary. Not only do we get jump scares galore, but also some truly disgusting and disturbing scenes. It all builds to a satisfying, dark conclusion.
In short, “The Autopsy of Jane Doe” is a good sleeper horror film. Rent or stream it and turn off all the lights. You will definitely be scared!
I assumed I would never like a movie with a talking raccoon, but “Guardians of the Galaxy Vol. 2” is a blast. The secret, I think, is in the casting. I am not a big fan of Chris Pratt, but he is perfect as Starlord in both films. Zoe Saldana is also good, but the show is continually stolen by Bradley Cooper as a foul-mouthed talking raccoon. Throw in Dave Bautista and Vin Diesel as the voice of Baby Groot and you have a cast of outcast heroes worth cheering.
I liked this film better than the first because of the cast being so much fun to watch. Not only do we get Sylvester Stallone and (in a memorable role) Kurt Russell, but Michael Rooker gets to be the hero. The 3-D, surprisingly, is very good, and the film never seems stuck in Marvel Movie Formula. In short, the film is a hoot and will probably make a gazillion dollars. And, yes, Stan Lee and Howard T. Duck make brief appearances.
I had a big day at the track today. Only made a single bet. Bet $10 to win, $10 to place, and $10 to show on Ted Oliver and he won at 20-1 odds. Made a little over 300 bucks. Have been betting on Ted Oliver for about three years.
The first time I bet on him I was at the track at Golden Gate Fields in Berkeley and I bet $60 to win on him and he won by a lot. It only paid 2-1 and wasn’t a great payout, but it showed that if you had balls you could make some money on this horse. There were a few other times he won or placed for me. When they run him for too high of a purse in the first few races he doesn’t do as well as when they run him for a lower purse and later in the day.
The best thing about him is that when he is on that day, he sometimes can win by a lot.
His past before this race I had bet $30 on him to show , but he came in 4th. I like that he had raced recently and been competitive. Unlike other horses I won a lot on before (Maggie’s Gold for instance) – Ted Oliver seems to place higher the more often they run him, rather than after layoffs.
He had a crummy starting position that time ( on the outside or the inside). Whereas this time he was in the 3 or 4 spots, where its much easier to get a clear lane to run. Most of the time at GGF I recommend to bet on horses starting in the 3 or 4 spot, and avoid betting on horses positioned on the inside or outside positions.
Off at: 5:00 Race Type: Starter Allowance
Age Restriction: Three Year Old and Upward
Distance: Five Furlongs On The Turf
Track Condition: Firm
Winning Time: 57.70
Pgm # – Horse
Ted Oliver 40.80 14.40 6.60
Whilly Pink 8.40 5.40
Preacher’s Bluff 4.40