Sexbot Celebs is a Bad Idea

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A professor is suggesting that mass produced sex-bots with bodies cast by celebs could be the next big thing:

http://www.dailymail.co.uk/sciencetech/article-4000724/Sex-stars-Robots-look-like-Hollywood-celebrities-allow-fans-live-fantasies.html

On its face this idea sounds enticing. You can bang that unreachable glamor queen you always wanted to bang if this prophecy is true. Everyone will have a Kardashian, Brea Olson or ,Paris Hilton doll at their crib. This actually isn’t a good idea though, and here is why. Sex-dolls are supposed to be sex slaves basically.  Not vice-versa. When we buy a sex-doll of a celeb that role is reversed psychologically. By going that route, the consumer is showing that they are they slave of the reality and mass pop culture.

Sex-bots are supposed to liberate the consumer from the BS of mass culture. The consumer deserves to be able to take care of his base needs without the burden of caring what other people in mass culture like. When people can get away from mass culture and really take care of their sexual needs, that will be very healthy for society. Sex is a great way for people to express themselves, and to exercise one’s mind and body.

The bright spot in the linked article is that the professor says that customized sexbots will become available. That is very encouraging. Not everyone wants a 36c-26-36 sized sexbot ( I do! ) . Some people might want a fat one or a tall, skinny one or something unique in its own way. Lets hope that the world of sexbots in the future is a diverse one, which will offer a wide range of options for users. We are already fully saturated in celebrity culture, to where celeb culture no longer has anything to offer. –Deplorable Steve 

 

 

Sexbots + Espresso = Awesome

An businessman in London is opening a sexbot cafe’ later this year.

Sex robot cafe to open in London after entrepreneur reveals his ‘fellatio cafe’ will staffed entirely by cyborgs

For about 60 bucks you can get a coffee and hook up with a sexbot. This type of innovative business is great for the working man – who doesn’t have time to argue with women for hours every day. This way you can get your coffee, go for a roll in the hay, and still get to work on time without being shamed for the “hit and run”. Men stand to save a lot of time and a lot of headaches by using such a café. This will allow men to focus on their careers and hobbies more without being sidetracked constantly and being guilt tripped over basically just being a man. Our hat goes off to businessmen who manufacture these bots, as well as those willing to take the plunge and make these bots more widely available (through cafe’s and brothels). Sexbots will be holistic and therapeutic for the population.

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True Companion
Sex robot Roxxxy, made by True Companion

 

Rise of the Sexbots – Parts 6 and 7

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 It opens with a SUPERVISOR. He sees a circle of workers not working on his 
surveillance screen. “What’s going on here?” he demands then he’s suddenly 
surrounded by ANGRY MUTANTS.  
 
But the LIZARDS at bot.gov don’t notice. They’re too busy with their raid on the 
church. The raid goes on at night. The lizards ambush the building and light it on 
fire. Blood and deaths and fire. 
 
The fire draws out all of the SKATERS who the LIZARDS then trap in order to force 
into labor. 
 
A few of the SKATERS escape the church fire. But the SKATERS go to get cover at the 
gas station lair where NO GOD ONLY PAIN is rehearsing. 
 
GOOGAMOOGA, KANGAZOO, TRISH, FUDGE-A and ESKIMOSA try to find a way out 
of the building as the MUTANT WORKERS tear apart the WORKER CAMP. They hide 
in the sexbot kennel. 
 
Scene 7 
 
At the gas station lair, the skaters pick up emergency calls about the siege on their 
radios. They use ingenious weapons to try to defend their lair. But many are 
killed. Vier is captured. 
 
GOOGAMOOGA, KANGAZOO, TRISH and the BIKERS make a deal with the She Pop 
Princess. She goes to distract the MUTANTS with her singing. But they’re still 
stoned and they rip her apart. GOOGAMOOGA, KANGAZOO, TRISH, FUDGE-A 
and ESKIMOSA narrowly escape. 
 
The LIZARDS return to the base with a large amount of slaves. The SKATERS left at 
the gas station make a plan to rescue Vier. 
 
GOOGAMOOGA, KANGAZOO, TRISH, FUDGE-A and ESKIMOSA enlist the support o
the BIKERS to kill the LIZARDS. LIZARDS are unaware that half of their base 
has rioting going on in it. 
 
 
 

Hands-On Sexbot Festival?

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Getty Images

 

 

 

 

There is a sexbot festival coming up in London. It was banned in Malaysia. Too risqué.

http://www.express.co.uk/news/uk/724161/Sex-robot-festival-Goldsmith-University-banned-Malaysia

We- the staff at Groin- are very pleased that this festival is occurring. However, we feel that the best way for people to get skilled with sexbots is with real “hands-on” type workshops (e.g. sexbot orgies). And we are concerned that this event might lean too far towards only having demonstrations – but not enough audience participation.

Such androids are seen by many as something that losers would be interested in. But on the contrary, it is the true player (who is up to his elbows in women already) who would benefit the most from having a sexbot – since he could use it as leverage when forced to argue with a woman. Sexbots can be a useful learning tool, helping individuals to fine tune their skills in bed – as well as experiment. In the end sexbots will even be an outlet for frustrated couples to break out of that funk together. There are so many possibilities. The key to it all is hands on exploration. With sexbots I worry about ending up with a costly repair bill or service warrenty. I have owned things like pinball machines that were a pain when repairs were needed. But at least there won’t be any divorce papers or lengthy arguments with sexbots. 🙂

Westworld – Episodes 2 and 3

We’ve now had three episodes of “Westworld,” and it is turning into an excellent Philip K. Dick-ian nightmare of a show. We are now seeing a dichotomy between humans who are curious about the androids and treat them humanely, and humans who want to exploit them for profit, sexual gratification, or indulging whatever sick violent fantasies they might have. Anthony Hopkins’s character seems kind and grandfatherly at first glance but by the end of the third episode his insistence that the robots have no human qualities seems quite sinister. For example, his order that the androids should not be covered when they’re nude is disturbing.

Evan Rachel Wood’s character has become interesting with her “Alice in Wonderland”-type storyline. She is seeking to become “real” by having new experiences. How this ties in with Ed Harris’ Man in Black will be interesting to see. Her character arc seems to tie in with Illuminati rites, which is very unusual for this sort of show. Will she turn on her creators as she discovers her plight?

The end of the third episode is really amazing where the scientists discover the android immolating himself and, by implication, his followers in brutal fashion with a boulder. Why would an android do this? It will be interesting to find out.

It was really fascinating watching the back-stories for the androids being created. This is way beyond anything in the original film by Michael Crichton, which was basically a western with a sci-fi twist. Here we see how everything works, which will bore some but not me.

Thandie Newton’s character as the whore who is failing at seducing the customers and may be destroyed because of it is the show’s major flaw. I do not understand where they are going with her role and it seems sexist.

Jeffrey Wright’s character is finally coming into focus and he is looking like the protagonist of the show. He has much more scientific curiosity than Hopkins’s character does and we will see if that leads to good or ill. He has a very strong character arc and I have always felt he is an underrated actor. Will he find the redemption he seeks for having lost his son?

Finally, this business about Hopkins’s deceased and more scientifically curious partner Arnold is potentially a barnburner. Why are the androids apparently having conversations with him? Where will this lead? Is Arnold’s hypothesis that the androids can be human correct and, if so, what will the consequences be?

If you can’t tell already, this show has the potential to be much better than “Game of Thrones.” Whereas that show seems to be slickly packaged sex and violence, this one is promising to explore serious moral and scientific issues while still providing lots of sex and violence. For that reason, I am recommending the show to everyone and plan to watch and cover the entire first season. Sexbot fans unite! -CoolAC

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Rise of the Sexbots – Chapter 5

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While the SKATERS and BIKERS are out near the sexbot kennels, presumably 
patrolling, the lizard ENGINEERS are gathered at a table at a meeting. There are 
around nine of them. 
 
While most of the staff is seated and slurping on maggot-ridden meat, the CONTROL 
SUPERVISOR is standing to address the meeting. 
 
CONTROL SUPERVISOR: While productivity in the farming colonies is up, it hasn’t 
been a watershed quarter. The solution is to capture and modify more of the outer 
dissidents for our digging and filling.  
 
ENGINEER #1: Global positioning satellites have a trace on a barricade in a former 
church in Sector 9.  
 
CONTROL SUPERVISOR: Do we have spies in the area? 
 
ENGINEER #1: (UnctuouslyWe have points of entry through their connection to the 
Will of the People patrollers.  
 
CONTROL SUPERVISOR: Show me the reference points. 
 
ENGINEER #1:(To ENGINEER #2) Pull up the access files. 
 
ENGINEER #2: I’m digilogging them right now. 
 
CONTROL SUPERVISOR: In the meantime, what is the status update on the sexbots? 
 
ENGINEER #3: How are the sexbots? 
 
CONTROL SUPERVISOR: That’s what I said, Asslicker. Did I stutter? 
 
ENGINEER #3: In terms of revenue? 
 
The CONTROL SUPERVISOR casts a fiery glance at the ENGINEER #3. CUTAWAY: 
For an instant we get a reptilian eyeball CLOSEUP of dilated pupils. CUT BACK to the 
shivering ENGINEER #3. 
 
ENGINEER #3: It looks like overall supply is up 12% with demand closely trailing at 
11.2%. Overall sales are down however as peak vaginal intercourse was in April and 
downgrading of services has resumed.  
 
 
The OPERATIONS MANAGER barges into the meeting right then. He is a very tall 
reptilian humanoid and, on balance, well more advanced in his herpetological 
morphing. He is almost entirely covered in biomechanical contrivances with crude 
Frankenstein bolts showing everywhere on his body.  
 
Smashing his fist on the table, the OPERATIONS MANAGER speaks and it takes 
precedence over what was going on before. 
 
OPERATIONS MANAGER: Sales are down by 5 megatetras. I want to know what kind 
of workers we’re getting down there. In my day, when a mutant wasn’t even given a 
vitamin dose booster, all he wanted to do was ball. Show me the ward where the 
captives are held at once! 
 
He demands a tour of the dehumanizing apparatus that turns humans into mutants.    
[Revision note: workers don’t need a ball and chain because they’ve been 
transmutated so they’re instantly recognizable]  
 
 
We see the CONTROL SUPERVISOR and OPERATIONS MANAGER walking with a 
decisive air down the bridge to a highly secured area in the Echelon Agency 
building. The CONTROL SUPERVISOR and OPERATIONS MANAGER then look 
through the glass porthole into this locked ward. They see a smorgasbord of 
desperate men who stand pensively dreading to be rebuilt biomechanically. 
 
CONTROL SUPERVISOR: These are the ones waiting to be rebuilt. 
 
OPERATIONS MANAGER: (to CONTROL SUPERVISOR) They’ve all accepted their 
modification then? 
 
CONTROL SUPERVISOR: Yes, High Lizard. will now show you where they will be 
transformed and implanted in. 
 
The two lizard bosses then go to the chambers. 
……………… 
 
In the ward where the pre-disfigured are kept three cement-walled chambers next 
to each other are on one side of a plexiglass barrier. 
 
CONTROL SUPERVISOR: We’re on standby but as you can see, this prisoner will be 
implanted with a third leg with his jaw dislocated for greater Echelon control of his 
activities. 
 
The OPERATIONS MANAGER appears pleased.  
 
 
OPERATIONS MANAGER: He is scrawny, Herr Control Supervisor. 
The apparatus onscreen shows the man contorting using several robotic arms 
springing from the walls. The man screams. 
 
 
OPERATIONS MANAGER: That’s better. 
 
CONTROL SUPERVISOR: If you’ll look this way (he points) I will show you another 
ongoing representative of our system. 
 
The scene depicts another bound man mid-disfigurement. 
 
CONTROL SUPERVISOR: His tongue is removed and cauterized. The two ocular 
prongs gouge the eyes into almost total blindness. 
 
OPERATIONS MANAGER: That will fix his pencil neck. 
 
Looking at the third chamber, the CONTROL SUPERVISOR directs the attendant to 
turn a knob the size of a gong to make the modification more intense. 
 
OPERATIONS MANAGER: This one is so bowlegged that I am physically repulsed. 
 
CONTROL SUPERVISOR: He is being redrawn without the use of one of his legs and 
one of his arms. The only relief from the subjugating pain he feels will be his 
servitude to sexual desire by the sexbots. 
 
The OPERATIONS MANAGER looks pleased again. 
 
OPERATIONS MANAGER: Who controls the orgasm, controls destiny!! 
 
CONTROL SUPERVISOR: It is so. The captives then receive a cochlear implant, a 
number and are put to work. 
 
OPERATIONS MANAGER: I am pleased with the work you are doing on the present 
captives. But the total factors of production are not returning enough on our 
investment. When will more workers be found? 
 
CONTROL SUPERVISOR: We were only now addressing this issue at our meeting. 
Shall we return? 
 
The two reptilian bosses go back inside the meeting. 
 
In the boardroom from earlier most of the lizard engineers are eating 
maggot-ridden meat. 
 
CONTROL SUPERVISOR: Where are the projections of the enemy camp I requested? 
ENGINEER #2 springs up and shows the boss what he has. For a half-second his 
mobile computer accidentally projects 3-D lizard porno against the screen that 
comes down. He quickly fixes it to show real-time 3-D images of where more skaters 
are situated. 
 
ENGINEER #2: As a member of the Organics Resources task force, I have studied the 
problem of disabling the alarm when our Echelon forces attempt to ambush it. 
propose that we use our mutants as human shields to prevent them from returning 
shots. 
 
CONTROL SUPERVISOR: What do you think of his plan? 
 
 
OPERATIONS MANAGER remains silent for a lengthy pause. Then he states 
decaratively, “Fire is the only way!” 
 
OPERATIONS MANAGER: No waiting for supply trucks to enter or disabling their 
communications. We lay siege to their fortification tonight. Arm every lizard from 
this building who isn’t vital to our command. 
 
ENGINEER #3: But Herr Lizard, casualties on both sides will be high. 
 
The OPERATIONS MANAGER screams in a loud cold-blooded hissing sound. 
 
CUTAWAY to the SKATERS who are with FUDGE-A and ESKIMOSA. They are now 
inside a nook of the bot.gov’s bridge. 
 
GOOGAMOOGA: It’s a good thing we got out of the alcove 
 
KANGAZOO: We’re going to need a lot more help clearing the building though. 
They’ve got cameras to keep us in. 
 
TRISH: We can move around now. Our IT guy put an app on your lap-pack that 
makes us invisible to CCTV. But how are we going to get around the guards? 
 
KANGAZOO: I have this.  
 
KANGAZOO puts small roving cameras onto the working floor to search for work 
floor SUPERVISORS. They watch their escape path on the laptop pack monitor of 
GOOGAMOOGA. 
 
 
KANGAZOO: Now!!! 
 
All five of them file out of the darkened nook onto the floor where the workers are 
piling earth and digging tunnels.  
 
KANGAZOO: (Whispering loudly) Let’s split up. 
 
FUDGE-A and ESKIMOSA turn to one side and run off. KANGAZOO, TRISH and 
GOOGAMOOGA head in the opposite direction. 
 
TRISH: This way. 
 
GOOGAMOOGA: Yeah, I think I see an exit. 
 
As KANGAZOO, TRISH and GOOGAMOOGA run quickly toward a door with blue rope 
lights around it. 
 
DERANGED VOICE FROM DARKNESS: Hey! What are you doing here?? 
 
KANGAZOO and TRISH stop and seem to be narrowing in, surrounded by other 
unseen people. As the unseen people draw closer, it is clear that there are three or 
four mutant workers who have surrounded them. 
 
KANGAZOO: (Blurting outWe’re part of the hacker corps. 
 
TRISH: Fuck. Why don’t you give him our address while you’re at it. 
 
KANGAZOO: Sorry. 
 
SKATERS meet with modified workers on the work floor. 
 
TC0451: Give us a reason for not turning you in. 
 
GOOGAMOOGA: You mean we’re not hosed yet? 
 
TC0451: The supervisor is on his lunch break. Now tell me! 
 
 
 
 KANGAZOO: You’re pretty demanding for a man who traded his freedom for 
artificial sex. “Work for work’s sake, give me a break. Just like mom told you to do. 
 
TC099: Hey! All the women have the virus. Who else is going to get us laid? Who else 
is going to f-feed us? 
TRISH: Listen up because I have some very important news for you. But first you’re 
going to need this. 
 
TRISH lifts the container of Tums in the air and lights it on fire with a torch to make 
the WORKERS take the drug Tums. A purple smoke cloud fills the air. 
 
KANGAZOO: Good thinking, Trish. 
 
TRISH to workers: You and YOU. You might have an extra leg, but you should be 
ashamed of yourselves. While you know that sexbots are meant to be addictive and 
hassle free, designed by top neurologists as a bot.gov reward system and population 
reduction strategy while they further their reptilian humanoid aims, we’ve just 
learned that the virus is a myth! 
 
PAN around to workers expressions of shocked (stoned) disbelief. 
 
KANGAZOO: That’s right. Echelon is no good. –Saint Reg.
 

Sexbots Shall Have Warm Skin

real (Real Doll on FB)

Great news! Upcoming sexbot prototypes will have warm skin in sensitive areas, or perhaps some form of a circulatory system which will keep their whole body warm. Nobody likes an unresponsive woman or bot. Things are supposed to heat up in the bedroom! Hopefully they will have the spit/drool/gag thing capability thing too (for oral) eventually. Someday, it would be rad if you could mess up their makeup so their mascara would run too. But until then we can only hope:

http://www.mirror.co.uk/news/world-news/sex-robots-warm-skin-intimate-8985045

 

Westworld’s Sexbot Mayhem

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Sexbot fans unite! HBO’s “Westworld” is finally here! As a reboot of Michael Crichton’s classic but hideously dated 1973 film, it works pretty well, but it’s not without some problems. The music score lacks distinction, and eventually climaxes in a bad orchestral version of “Paint it Black.” Also, although the whole cast is good, Anthony Hopkins as the creator of Westworld and Ed Harris as the Man in Black are so good that they tend to blow everyone off the screen.

Now, on to the good stuff! There is lots of action. Evan Rachel Wood, one of the most beautiful actresses working today, is solid in the lead as an understandably confused android. The show moves quickly in the first episode and addresses some very interesting hot-button issues such as: What is our responsibility to robotic humanoids we create? Do they have real feelings? Do they feel pain? Is their apparent impending rebellion against humans justified? Do the vacationing humans enjoying the robots deserve to have the tables turned on them? If future episodes continue to address these issues, this could be a great show. The pilot is a solid watch but not a classic. Long live sexbots! –CoolAC

Westworld Premiere Mixed Bag

westworld3 poster for the new film

The trailers for the premiere of this show promised a lot of existential plot elements, plus lots of sex, and violence. So far, in its premiere, the focus was mostly on violence. It is filmed a bit too modern, like a Guy Ritchie film (but a bit more serious). This show would seemingly do better to move at a slower pace and build more suspense, with less predictability. Michael Camino would have made the best director for this series, had he not passed away. There is also a lack of character development here.

The story involves a futuristic a tourist trap, complete with humanoid cowboys, bandits, sheriffs, and hookers. Its a bit too predictable that things will go wrong. A-Hop (my nickname for Anthony Hopkins) does an excellent job with his role, and is very captivating. This is because he is unsympathetic as the robot’s creator. And that makes him seem realistic . However, the script misdirects him by having him say the name of the female he is speaking with in his accent (too many times), and it comes off as ripping of his Silence of the Lambs role.

Ed Harris plays the sheriff’s role ( that Yule Brenner played in the old version). He maintains a strong screen presence, with his usual charisma, and steel jawed resolve. It would have been better to give him more thoughtful lines in the premiere, instead of overly-focusing on his violence (like a Tarentino film).

The robots predictably begin malfunctioning ( too soon in the episode) , and the park managers are into greed instead of safety ( predictably). And the series is pointing in the direction of the park’s robots realizing they have a bum deal, with them getting ready to revolt. But perhaps a less predictable plot would have been for a human and a bot to fall in love and lead a peaceful protest or something – and then they get shot down or broken into parts – and the other bots revolt. This original pilot gave away too much too early on in the series. And its too big on death and violence, and not big enough on sex , relationships, and power struggles.

Also it is clearly dumb for A-Hop to be meeting his bots face to face and telling them he is their creator. I say this because its well known that famous studies from Brookings Institute showed that this type of confrontation causes mass insanity. The A-Hop character would have known this and would have used more precaution in real life.
The notion of what one would do if confronted with the reality they are captive, and a creation of scientific experiment was much more thoroughly and interestingly depicted in the recent Hollywood flop “Morgan”. Morgan got straight to the heart of nature vs. nurture issue. And it got to the point about survival instincts in (slaves) robots and computers being a threat to their (masters) humans.

Especially aggravating is the re-hashing of the Rolling Stones “Paint it Black” as a stuffy Baroque sounding score. Its a disservice to modern composers that films never come up with decent original scores anymore (its a sign of our civilization declining along with the rest of music culture sucking ass too). Also there was a lack of sexual fantasy, and the women on the show were not hot enough.

Overall. this show still remains very intriguing. It has some great cinematography, plus some top notch acting. I hope that it is able to maintain a focus on sex, survival, social programming, and epistemology. While the series is a bit of a mixed bag so far, the series is very compelling in the regard that it is highly focused on the dark sides of human nature, as well as the downsides of capitalism- greed and power. And that individuality and empathy are not valued in a futuristic society. Indeed, humanity itself is not valued in a futuristic society either, according to Westworld. The humanity of the robots in the park, and the conscience of the tourists are all subverted to a new technological order. –Steve

west1poster for the old film

The Pearl Shows Human Nature

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So in school I was assigned to read Grapes of Wrath and Of Mice and Men. And the schools I went to were only an hour from where Steinbeck lived and wrote most of his early works. But we never took afield trip out there. Those books aren’t as good, or as poignant as The Pearl.

In the Pearl, the main character Kino dives for pearls for a living, and lives a modest lower class agricultural lifestyle. One day he dives and retrieves the largest pearl ever known. His child had also recently fallen ill. Rumors spread, and the whole town (including the baby’s doctor) soon is conniving to either screw him over- or to steal it from him outright. His wife Juanita warns him that all this could happen. But Kino’s pride as a man, combined with his personal ambitions doom him completely. Juana fatalistically accepts Kino’s flawed decisions out of an understanding of the psychology of prideful men (a clear indication this book was written before the feminist movement). And in the end, many characters suffer ill fates.

pearl

If you ever saw the cult film with Mimi Rogers and David Duchovny called The Raputure, then you will recognize the symbol of the pearl in the cult members visions and also as tattooed on one of the members’ back in the film. Pearls in American culture are in a modern tradition tending to represent an ominous forewarning of personal or societal apocalypse. Personally I have a pearl memento from my baptism when I was 14.

This book made me ask myself hard questions. Many authors like Nassim Taleb (in his book Black Swans) argue that one should always take advantage off opportunities to profit aggressively (since good opportunities are deemed rare). Ayn Rand would also argue to be greedy and not share the proceeds with the community, since humans are not sacrificial lambs, but rather self-responsible individuals. But in this book, which is a fairly realistic scenario, the main character would have done better to do neither of those actions. Instead, had Kino shared the proceeds with his community, then the community would not have had as much incentive to rob/maim him. And had Kino took the first (lesser) payment offer for the pearl and been modest, instead of turning down the offer to seek more money for it – then he would have been all the better for it.

As we move towards the future with sexbots, maybe society should consider whether these could be benefit of all, instead of simply for the wealthy and the perverted. And perhaps we should also not think of the sexbots as a total cure-all for headaches and arguments men and women suffer from each other. Its best for society to keep an open mind towards them, and try to find a way to use them as a positive tool and a force for peace and happiness in the world. – “Deplorable” Steve